Most people know Ursula K. Le Guin for her extraordinary science fiction and fantasy writing. Fewer know just how pervasive Taoist themes are to so much of her work. And in Lao Tzu: Tao Te Ching, we are treated to Le Guin's unique take on Taoist philosophy's founding classic. Reflecting more than forty years of Le Guin's personal study and contemplation, her rendering of the text is a brilliant testament to her deep-seated understanding of Taoist principles and (...) their value for our troubled world today. Avoiding traditional patriarchal interpretations, scholarly fixations, and esotericism, she embues the Tao Te Ching with transformative, awe-inspiring power like no other. Also included are Le Guin's personal reflections and notes on the text throughout. To anyone who has enjoyed Le Guin's writing and yearns for a deeper window into her mind--or to all who simply wish to explore the philosophical bedrock that shaped an incredible, historically significant author--Le Guin's Lao Tzu: Tao Te Ching will be an incomparable treasure. (shrink)

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this (...) wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years. (shrink)

It was a dark and stormy night, in the otherwise unnoteworthy year 711 E.C. , and the great-aunt sat crouched at her typewriter, holding his hands out to it from time to time as if for warmth and swinging on a swing. He was a handsome boy of about eighteen, one of those men who suddenly excite your desire when you meet them in the street, and who leave you with a vague feeling of uneasiness and excited senses. On the (...) plate beside the typewriter lay a slice of tomato. It was a flawless slice. It was a perfect slice of a perfect tomato. It is perfectly boring. I hold out my hands to the typewriter again, while swinging and showing my delicate limbs, and observe that the rows of keys are marked with all the letters of the English alphabet, and all the letters of the French alphabet minus accent marks, and all the letters of the Polish alphabet except the dark L. By striking these keys with the ends of my fingers or, conceivably, a small blunt object, the aging woman can create a flaw in the tomato. She did so at once. It was then a seriously, indeed a disgustingly flawed tomato, but it continued to be perfectly boring until eaten. She expired instantly in awful agony, of snakebite, flinging the window wide to get air. It is a dark and stormy night and the rain falling in in the typewriter keys writes a story in German about a great-aunt who went to a symposium on narrative and got eaten in the forest by a metabear. She writes the story while reading it with close attention, not sure what to expect, but collaborating hard, as if that was anything new; and this is the story I wrote . . . Ursula K. Le Guin, distinguished novelist, poet, and essayist, is the author of The Left Hand of Darkness, Malafrena, and The Dispossessed, for which she won both the Hugo and the Nebula Award. Her novel The Lathe of Heaven was made into a film by the Public Broadcasting System. (shrink)

Many philosophers have attempted to provide a solution to the paradox of fiction, a triad of sentences that lead to the conclusion that genuine emotional responses to fiction are irrational. We suggest that disagreement over the best response to this paradox stems directly from the formulation of the paradox itself. Our main goal is to show that there is an ambiguity regarding the word ‘exist’ throughout the premises of the paradox. To reveal this ambiguity, we display the diverse existential commitments (...) of several leading theories of emotion, and argue that none of the theories we consider are committed to notions of ‘exist’ employed by the paradox. We conclude that it is unclear whether or not there remains a paradox of fiction to be solved—rather than to be argued for—once this ambiguity is addressed. (shrink)

The distinct-attitude view of fictional narratives is a standard position in contemporary aesthetics. This is the view that cognitive attitudes formed in response to fictions are a distinct kind of mental state from beliefs formed in response to non-fictional scenarios, such as pretend or imaginary states. In this paper we argue that the balance of functional, behavioral, and neuroscientific evidence best supports the genuine-attitude view of belief. According to the genuine-attitude view, cognitive responses to fictions are genuine beliefs that are (...) not a distinct kind of mental state from the beliefs that we form in response to non-fictional scenarios. We consider the implications of the genuine-attitude view for debates at the intersection of epistemology, cognitive science, and philosophy of mind. (shrink)

La philosophie allemande de la fin du XVIIIe siècle et du début du XIXe siècle valorise extraordinairement la raison. Une idée-clé est que rien - ni savoir, ni valeur, ni pouvoir - ne saurait échapper à la raison comme instance explicative et critique. Toutefois, la raison peut-elle à elle seule fournir une pensée adéquate? Peut- elle se passer des sentiments, voire des croyances, si elle entend connaître autre chose que des ombres et formuler une morale qui ne soit pas desséchante?00Cet (...) ouvrage étudie le rapport entre la pensée rationnelle et l'affectivité dans les débats qui se nouent autour de Kant, dans le post-kantisme et l'idéalisme allemand, ainsi que chez les successeurs de Hegel - depuis les Méditations bibliques de Hamann jusqu'à L'Esprit du christianisme de Feuerbach. Les contributions ici réunies s'efforcent non seulement de mettre en évidence les conceptualisations individuelles, mais aussi de repérer comment les problématiques circulent et se transforment d'un auteur à l'autre. L'hypothèse est que les oeuvres de la période étudiée forment une transition entre les grands rationalismes post-cartésiens, fascinés par la déduction abstraite, et la mise en cause de la raison dans les vitalismes de la fin du XIXe siècle. (shrink)

FINANCIAMENTO DE PESQUISA: PNPD/CAPES A relação entre imaginação, moralidade, política e literatura: uma análise a partir de Adam Smith e Martha Nussbaum Resumo: Este artigo analisa relação da imaginação com a moralidade e a política através da literatura. Parte-se da reflexão sobre o papel da imaginação na sociabilidade e na simpatia moral, segundo Adam Smith. Para o autor, a capacidade de compreender e sentir o que ocorre com o outro exige um exercício imaginativo. Smith considera que a simpatia moral está (...) inseparável da imaginação. Essa questão é ampliada a partir do conceito de imaginação literária ou narrativa desenvolvido por Martha Nussbaum. Para a autora, a capacidade da imaginação pode ser cultivada através da literatura, pois ela possibilita a experiência de vivenciar emoções e compreender situações alheias. Isso promove e amplia uma imaginação moral capaz de proporcionar um entendimento mais amplo das relações humanas. Assim, este artigo sustenta que as humanidades e, em especial, a leitura literária, propicia uma espécie de experiência moral e uma reflexão ética e política. Isso confere à literatura um valor educacional, pois ela é capaz de promover as qualidades de uma cidadania condizente com a sociedade democrática pluralista e cosmopolita. A proposta aqui desenvolvida oferece elementos para se pensar a ética, a política e a educação na sociedade atual, valorizando e resgatando as humanidades e a cultura literária. Palavras-chave: Imaginação; Ética; Política; Simpatia; Literatura. The relation between imagination, morality, politics and literature: an analysis from Adam Smith and Martha Nussbaum Abstract: This article analyzes the relation between imagination, morality and politics through literature. We start with a reflection on the role of imagination in sociability and moral sympathy, as understood by Adam Smith. For the author, the ability to understand and feel what happens to another requires an imaginative exercise. Smith considers that moral sympathy is inseparable from the imagination. This question is amplified from the concept of literary imagination or narrative developed by Martha Nussbaum. For the author, the capacity for imagination can be cultivated through literature, as it allows the experience of emotion and understand other people´s situations. This promotes and broadens a moral imagination, capable of providing a broader understanding of human relationships. Thus, this article maintains that the humanities and, especially, literary reading, provides a kind of moral experience and an ethical-political reflection. This gives literature an educational value, as it is capable of promote the qualities of a citizenship consistent with the pluralist and cosmopolitan democratic society. The proposal developed here offers elements for thinking about ethics, politics and education in today's society, valuing and rescuing the humanities and literary culture. Key-words: Imagination; ethics; politics; sympathy; literature. La relación entre imaginación, moralidad, política y literatura: un análisis de Adam Smith y Martha Nussbaum Resumen: Este artículo analiza la relación entre imaginación, moralidad y política a través de la literatura. Comienza con una reflexión sobre el papel de la imaginación en la sociabilidad y la simpatía moral, según Adam Smith. Para el autor, la capacidad de comprender y sentir lo que le sucede a otro requiere un ejercicio imaginativo. Smith considera que la simpatía moral es inseparable de la imaginación. Esta pregunta se amplifica desde el concepto de imaginación literaria o narrativa desarrollada por Martha Nussbaum. Para el autor, la capacidad de imaginación se puede cultivar a través de la literatura, ya que permite a las personas experimentar emociones y comprender las situaciones de otras personas. Esto promueve y amplía una imaginación moral capaz de proporcionar una comprensión más amplia de las relaciones humanas. Así, este artículo sostiene que las humanidades, y especialmente la lectura literaria, proporcionan una especie de experiencia moral y una reflexión ético-política. Esto le da a la literatura un valor educativo, ya que es capaz de promover las cualidades de una ciudadanía consistente con la sociedad democrática pluralista y cosmopolita. La propuesta desarrollada aquí ofrece elementos para pensar sobre ética, política y educación en la sociedad actual, valorando y rescatando las humanidades y la cultura literaria. Palabras clave: Imaginación; Ética; Política; Simpatía; Literatura. Data de registro: 18/05/2020 Data de aceite: 05/07/2021. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BreathrenKatherine Ibbett (bio)The French Reformation and its aftermath was a battle over breath: literally so, as a matter of life and death, but also because it represented a battle over the Holy Spirit, Saint Esprit, from the Latin spiritus, breath. Over decades of conflict both Catholics and Protestants claimed divine inspiration, arguing that they and only they were breathed on in the way Christ breathes on the apostles when (...) he asks them to receive the spirit (John 20: 22).On the Protestant (Huguenot) side of these early modern disputes, the term esprit is often displaced by a more vernacular and more bodily breath, souffle, so that God blows on his chosen people a little in the way his chosen people might blow on their soup. Souffle renders spirit as something humanly familiar, if still exemplary. In his account of the life and death of Jean Calvin (1564), the Protestant historian and polemicist Théodore de Bèze writes of breath as the last remaining sign of Calvin's presence: the day before his death Calvin is so weak "qu'il ne luy restoit plus que le souffle," ["only breath remained"] but he tells his followers nonetheless that he is still "uni d'esprit" ["joined in spirit"] with them. Like Christ's, Calvin's souffle and spirit inspired many, and the Protestant minority, under increasing and violent pressure from the Catholic state, met his example with a last gasp of their own. The term "souffle" is everywhere in the martyrologies of the many Calvinists executed by Catholics over the following century and more, which insist repetitively on the victim's praise of God "to the last breath."French Protestants also imagined breath as a political metaphor, frequently presenting the minority's right to live on French soil as a right to breathe, some sort of jus spiri: the late seventeenth-century Protestant historian Élie Benoist writes that Catholic violence turned "le Plaisir naturel de respirer l'air du païs natal en une espece de joug servile" ["the natural pleasure of breathing the air of one's own country into a kind of servile yoke"]. This frequent rhetoric of bad air gets re-ventilated in Benoist's account of the Refuge, the period after 1685 when Protestantism became illegal in France, at which point Huguenots fled in hope of what Benoist hopefully calls the "abundance" of air found on welcoming shores elsewhere. [End Page 163] The more upbeat refugee writing somewhat breathlessly celebrated the "change of air" that transnational solidarity brought about. Bref: breath is central to the Huguenot imaginary.A more painful formulation comes in one of the pamphlets that circulated from the 1660s on, throughout Protestant Europe, asking for new air to breathe. Many of these calls for international aid insisted on the sheer miracle of continued Protestant bodily existence, sketching a sort of Protestant vita nuda. A 1667 text published in parallel French and German recounts the misery of the Protestants banned from professional positions and living only "la vie, c'est à dire, un triste soufle qu'ils tirent de leurs tristes coeurs affligez" ["life, that is to say, a sad breath/sigh that they pull from their sad and afflicted hearts"]. But where Agamben's notion of bare life marks the extreme form of a particular model of Western sovereignty, imagining bare life as helpless and voiceless against sovereign power, the Protestant lifebreath is highly strategic, performing its bareness so as to imagine a new political role. The Protestant life retains and performs a "soufle" for its international audience, taking a breath before it speaks, eventually allowing for a new articulation of a Protestant voice that speaks multiple languages and can make itself heard internationally. In response to that voice, in the organizing of English and Dutch and German responses to Huguenot suffering, came a new organization of transnational political community. During the years of the Refuge, at a moment when European neighbors were prepared to take in refugees, the "poor breath" of the Protestant eventually makes room for a new kind of breath-ren. May their history breathe on us again today. [End Page 164]Katherine IbbettUniversity of OxfordKatherine Ibbett Katherine Ibbett... (shrink)

Noncompliance exasperates health care professionals, leaves them worrying about the effective outcome of medical care, and results in noncompliant patients being labelled as 'difficult' or 'troublesome'. It is suggested that professionals who label a patient as noncompliant are following convenient paternalistic principles rather than considering the impact of a prescribed regimen on an individual patient. In this paper, the author considers autonomy and respect to be foremost in patient care. Further, compliance does not necessarily indicate that both professional and patient (...) have developed a collaborative understanding relationship. Noncompliance is described as a lack of recognition by the health care professional of the meaning of the regimen to the patient. Treatment interventions will be most successful when the patient participates in the prescription. Without acknowledgement of the patient as an equal partner, and listening to his or her narrative, care will be, at best, paternalistic. Les soignants peuvent devenir exasperes par les malades qui n'acquiescent pas à leur traitement. Cela laisse les soignants souciant des résultats de leurs soins et abouti à ce que les malades sont qualifiés de difficiles ou insoumis. On propose ici que le personnel qui traite les malades d'insoumis suit des principes paternalistes plutôt que de considérer les suites des regimes prescrits pour les particuliers. Dans cet article l'auteur considère l'autonomie et le respet comme primordiaux pour les soins. L'acqiescement ne veut pas toujours dire que malades et infirmiers/ères ont développés des rapports collaborateurs. Le refus d'acquiescer est aperçu comme un manque de reconnaissance par la personne soignante de la significance du traitement médical du malade. Les interventions réussissent le mieux quant les malades participent à leurs soins. Si l'on n'accepte pas les malades comme partenaires en écoutant leurs récits, les soins sont au plus du paternalisme. Die Ablehnung der verordneten Behandlung durch die Patienten kann das Pflege personal zur Verzweiflung bringen und den Ausgang der Behandlung in Frage stellen und führt dazu, die Patienten als schwierig oder problematisch einzustrafen. Hier wird die Ansicht vertreten, dass das Pflegepersonal, das Patienten als unkooperativ oder ablehnend bezeichnet, einem paternalistischen Prinzip folgt und nicht an die Wirkung denkt, die die verschriebene Behandlung auf einzelne Patienten hat. In diesem Artikel bezeichnet die Autorin die Selstbestimmung der Patienten und den Respekt ihnen gegenüber als das Wichtigste in der Krankenpflege. Fügsamkeit deutet nicht unbedingt auf eine Zusammenarbeit zwischen Patienten und Pflegenden hin. Zuwiderhandlung der Patienten wird als Mangel an Verständnis von Seiten des Pflegepersonals gesehen, das die Bedeutung, die die Behandlung für Patienten hat, nicht einzuschatzen weiss. Die Behandlung wird nur dann den grösstmöglichen Erfolg bringen, wenn die Patienten daran teilnehmen. Wenn Patienten nicht als gleichberechtigte Partner angesehen werden, deren Meinungen gehört und respektiert werden, ist die Pflege höchstens patemalistisch. (shrink)

In 1995 Barbara Held, professor of Psychology , published what is, I think, the first book of its kind - Back to Reality: A Critique of Postmodern Theory in Psychotherapy - a book not about how to do psychotherapy, but about how we should think about doing it. The work engages in a vigorous examination of the recent antirealist trend in psychotherapy and it opens up an important and timelyepistemological debate, but its conclusion - that postmodern (narrative) therapists ought to (...) reject antirealism in favour ofa modest realism - is based on a fundamental misinterpretation of the originary aim behind the adoption of an antirealist epistemology. It is Held’s contention that the narrative therapy movement adopted antirealism as a means of “maximizing individuality” in therapy, a goal which canand should be achieved by way of realism. I suggest here that, to the contrary, the aim of this epistemological shift was the resolution of strictly epistemological problems, and that a return to realism would be antithetical to this aim.En 1995, Barbara Held,professeure de psychologie, a publié ce qui, à mon avis, est un livre inouï: Back to Reality: A Critique of Postmodern Theory in Psychotherapy. L’ouvrage entreprend un examen critique des tendances antiréalistes que l’on retrouve dans la psychothérapie aujourd‘hui et ouvre un débat épistémologique important et opportun. Cependant, sa conclusion, à l’effet que les thérapeutes postmodernes (narratifs) devraient rejeter l’antirealisme au profit d’un réalisme modeste, se fonde sur une interprétation erronée du but premier de l’épistémologie antiréaliste. Held soutient que le mouvement de thérapie narrative a adopté l’antiréalisme afin de “maximiser l’individualité” en thérapie, un but qui peut et devrait être atteint plutôt par le réalisme. Ici, je prétends au contraire que letournant épistémologique a été entrepris dans le but de résoudre des problèmes strictement épistémologiques, et qu’un retour au réalisme serait contraire à ce but. (shrink)

In 1995 Barbara Held, professor of Psychology, published what is, I think, the first book of its kind - Back to Reality: A Critique of Postmodern Theory in Psychotherapy - a book not about how to do psychotherapy, but about how we should think about doing it. The work engages in a vigorous examination of the recent antirealist trend in psychotherapy and it opens up an important and timelyepistemological debate, but its conclusion - that postmodern (narrative) therapists ought to reject (...) antirealism in favour ofa modest realism - is based on a fundamental misinterpretation of the originary aim behind the adoption of an antirealist epistemology. It is Held’s contention that the narrative therapy movement adopted antirealism as a means of “maximizing individuality” in therapy, a goal which canand should be achieved by way of realism. I suggest here that, to the contrary, the aim of this epistemological shift was the resolution of strictly epistemological problems, and that a return to realism would be antithetical to this aim.En 1995, Barbara Held,professeure de psychologie, a publié ce qui, à mon avis, est un livre inouï: Back to Reality: A Critique of Postmodern Theory in Psychotherapy. L’ouvrage entreprend un examen critique des tendances antiréalistes que l’on retrouve dans la psychothérapie aujourd‘hui et ouvre un débat épistémologique important et opportun. Cependant, sa conclusion, à l’effet que les thérapeutes postmodernes (narratifs) devraient rejeter l’antirealisme au profit d’un réalisme modeste, se fonde sur une interprétation erronée du but premier de l’épistémologie antiréaliste. Held soutient que le mouvement de thérapie narrative a adopté l’antiréalisme afin de “maximiser l’individualité” en thérapie, un but qui peut et devrait être atteint plutôt par le réalisme. Ici, je prétends au contraire que letournant épistémologique a été entrepris dans le but de résoudre des problèmes strictement épistémologiques, et qu’un retour au réalisme serait contraire à ce but. (shrink)

Les premiers Irlandais aimaient les jeux de société. Cela ressort clairement du matériel de jeu découvert et des nombreuses références aux jeux de société dans la littérature vernaculaire. Bien qu’une grande partie de la littérature séculaire présente des récits se déroulant dans un passé imaginaire, les textes peuvent néanmoins être étudiés pour donner un aperçu des attitudes à l’égard du jeu, tant pour les hommes que pour les femmes. Avant les échecs, le jeu le plus important était le fidchell local, (...) un jeu de stratégie pure dérivé du ludus latrunculorum romain. Une sélection de références au fidchell dans la prose et la poésie, principalement de l’ancien et du moyen irlandais (viie‑xiiie s.), permet d’explorer le rôle des femmes en tant que joueuses entre elles et contre les hommes, en se concentrant sur les thèmes suivants : le statut, le contexte social et physique des jeux, la matérialité des équipements de jeu des femmes, la relation entre jeux et alcool, le jeu, l’érotisme et son absence, et les attitudes envers les compétences intellectuelles féminines. (shrink)

Dans la seconde moitié des années 1900, Bertrand Russell et Hugh MacColl échangèrent sans s’entendre sur les questions de l’implication et de l’existence, dans le cadre d’un débat plus général sur la nature de la logique. Il est tentant de voir dans cet échange une opposition entre le moniste logique Russell et le pluraliste MacColl. Dans cet article, j’affirme que cette interprétation est inexacte, et que les deux hommes étaient tous deux monistes, bien qu’ayant des allégeances différentes. La transition du (...) monisme au pluralisme ne s’effectue en réalité qu’à partir du début des années 1910, peu après la mort de MacColl en 1909. Les premiers signes de cette transition sont à trouver particulièrement chez le philosophe américain C. I. Lewis, le mathématicien néerlandais L. E. J. Brouwer, et le logicien polonais Jan Łukasiewicz. Ces auteurs sont des exemples de l’avènement graduel de la métalogique. (shrink)

Dans la seconde moitié des années 1900, Bertrand Russell et Hugh MacColl échangèrent sans s’entendre sur les questions de l’implication et de l’existence, dans le cadre d’un débat plus général sur la nature de la logique. Il est tentant de voir dans cet échange une opposition entre le moniste logique Russell et le pluraliste MacColl. Dans cet article, j’affirme que cette interprétation est inexacte, et que les deux hommes étaient tous deux monistes, bien qu’ayant des allégeances différentes. La transition du (...) monisme au pluralisme ne s’effectue en réalité qu’à partir du début des années 1910, peu après la mort de MacColl en 1909. Les premiers signes de cette transition sont à trouver particulièrement chez le philosophe américain C. I. Lewis, le mathématicien néerlandais L. E. J. Brouwer, et le logicien polonais Jan Łukasiewicz. Ces auteurs sont des exemples de l’avènement graduel de la métalogique. (shrink)

Nous présentons la notion d’« être au monde » de Merleau-Ponty, en prenant comme point de départ l’étude de l’auteur sur le rapport mère-enfant dans la première étape de l’enfance (de 0 à 3 mois). Dans cet article nous nous appuyons, spécifiquement, sur le cours tenu à la Sorbonne entre 1949 et 1952, influencé par les travaux de la psychologie de la Gestalt et de la psychanalyse, pour montrer comment, à partir de la relation et de l’unité mère-bébé, on peut (...) expliciter ce que Merleau-Ponty pense de l’intersubjectivité et l’idée qu’il se fait du corps comme projet orienté vers le monde. Nous voulons montrer comment Merleau-Ponty rapproche la philosophie de la réalité concrète et comment il analyse le développement de l’enfant en tant que processus d’individualisation.We explore Merleau-Ponty’s notion of “being-toward-the-world,” taking his study on the mother-child relation during the first stage of infancy (0-3 months) as our point of departure. In this article we consider, more specifically, the Sorbonne lectures of 1949-1952, which were influenced by works in Gestalt psychology and psychoanalysis, in order to show how, starting from the relation of the mother-baby unity, we can clarify what Merleau-Ponty thinks of intersubjectivity, and his idea of the body as project oriented toward the world. We wish to show how Merleau-Ponty brings philosophy closer to concrete reality and how he analyzes child development as a process of individualization. Presentiamo la nozione di “essere al mondo” in Merleau-Ponty prendendo come punto di partenza i suoi studi sul rapporto madre-bambino nella prima fase dell’infanzia (dagli 0 ai 3 mesi di età). In quest’articolo consideriamo, in particolar modo, il corso tenuto alla Sorbona tra il 1949 e il 1952, influenzato dai lavori di psicologia della Gestalt e dalla psicoanalisi, per mostrare come, a partire dalla relazione dell’unità madre-bambino, possiamo esplicitare ciò che Merleau-Ponty pensa dell’intersoggettività e l’idea che si è fatto del corpo come progetto orientato al mondo. Vogliamo quindi mostrare come Merleau-Ponty avvicini la filosofia alla realtà concreta e come analizzi lo sviluppo del bambino in quanto processo d’individualizzazione. (shrink)

Two studies of women in philosophy, Michéle Le Doeuff's biography of Simone de Beauvoir Hipparchia's Choice (1991) and Fritz Mauthner's historical novel Hypatia (1892), question what kind of power and authority are available to philosophers. Mauthner's philosophy of language expands on Le Doeuff to outline how philosophy acts parallel to other sociohistorical discourses, relying on public consensus and on the negotiation of stereotypes to create a viable speaking subject for the female philosopher.

À la fin de l’époque médiévale, la production et l’importation d’une nouvelle vaisselle, d’une nouvelle mode vestimentaire et d’un nouveau mobilier s’accélèrent dans les villes d’Angleterre. L’acquisition, l’usage et l’entretien d’une gamme de plus en plus large de produits manufacturés n’a pas seulement rendu plus aisée la vie des marchands et des artisans, mais les a transformés eux-mêmes. Cependant l’usage et le sens des objets – les spécialistes de la culture matérielle l’ont bien montré – n’est pas stable. Selon certains (...) archéologues, la vaisselle qui commence à se répandre change peu à peu les habitudes de table avec des conséquences sur l’ordre de genre au sein du foyer. Cet article examine deux textes littéraires du Moyen Âge tardif qui décrivent des banquets exclusivement réservés aux femmes, pour évaluer l’effet de ces changements dans la culture matérielle sur les relations entre maris et femmes. (shrink)

SummarySkepticism is very powerful and persuasive, yet it is not the basis upon which the reasonable person operates in the world. In this paper I've tried to articulate the criteria whereby the reasonable person determines what is a fact and determines that she/he knows. I've taken six areas where knowledge is a matter of contention between the reasonable person and the skeptic and constructed dialogues between the two. The six areas are things not directly perceived mathematical and tautological statements the (...) distinction between dream and reality other minds and the contents of other minds facts of the past both historical and invividual “scientific facts”. My position is that of the reasonable person.RésuméLe scepticisme est très puissant et persuasif, mais ce n'est pas une base à partir de laquelle la personne raisonnable agit dans le monde. Dans cet article, j'ai essayé?on; énoncer les critères selon lesquels la personne raisonnable détermine ce qu'est un fait et ce qu'elle sait. J'ai pris six domaines où la connaissance est objet de contestation entre la personne raisonnable et le sceptique et ai imaginé un dialogue entre eux. Ces six domaines sont: les choses non directement perçues les énoncés mathématiques et tautologiques la distinction entre rêve et réalité les autres esprits et leur contenu les faits appartenant au passé individuel et historique les faits scientifiques. Ma propre position s'identifie avec celle de la personne raisonnable.ZusammenfassungDer Skeptizismus mag zwar eine starke und überzeugende Doktrin sein, er bietet jedoch keine Grundlage für vernünftige Handlungen in der Welt an. Es wird versucht, die Kriterien anzugeben, aufgrund von welchen eine vernünftige Person bestimmt, was eine Tatsache ist und was sie weiss. Es werden sechs Bereiche angegeben, in welchen sich die vernünftige Person mit dem Skeptiker über Erkenntnisfragen in einen Konflikt verwickeln kann: Dinge, die nicht unmittelbar wahrgenommen werden mathematisch und tautologische Aussagen, die Unterscheidung zwischen Traum und Wirklichkeit, andere Geister und fremdpsychische Inhalte, Tatsachen der Vergangenheit , wissenschaftliche Tatsachen. Der Position der vernünftigen Person wird der Vorzug gegeben. (shrink)

Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine (...) Mansfield's 'The Fly', a short story rich in foregrounding, while marking striking and evocative passages of their choosing. Afterwards, they were asked to select three markings and elaborate on their experiences in writing. One group read the original story, while the other read a 'non-literary' version, produced by an established author of suspense fiction for young adults, where stylistic foregrounding was reduced. We found that the non-literary version elicited significantly more (p < 0.05) explicitly empathic responses than the original story. This finding stands in contradiction to widely accepted assumptions in recent research, but can be assimilated in alternative models of literariness and affect in literary reading (e.g. Cupchik et al., 1998). We present an analysis of the data with a view to offering more than one interpretation of the observed effects of stylistic foregrounding. (shrink)

This article argues that Ursula Le Guin’s science fiction is a form of ‘speculative anthropology’ that reconciles thick description and historicity. Like Clifford Geertz’s ethnographic writings, Le Guin’s science fiction utilises thick description to place the reader within unfamiliar social worlds rendered with extraordinary phenomenological fluency. At the same time, by incorporating social antagonisms, cultural contestation, and historical contingency, Le Guin never allows thick description to neutralise historicity. Rather, by combining the two and exploring their interplay, Le (...) Guin establishes a critical relation between her imagined worlds and the reader’s own historical moment. This enables her to both counter Fredric Jameson’s influential criticism of her work – the charge of ‘world reduction’ – and point to ungrasped utopian possibilities within the present. Le Guin’s speculative anthropology thus combines the strengths while overcoming some of the limitations of both Geertz’s thick-descriptive method and Jameson’s theory of the science fiction genre. (shrink)

It is hardly a novel claim that the work of Ursula K. Le Guin (1929–2018) contains influences from philosophical Daoism, but I argue that this influence has yet to be fully understood. Several scholars criticize Le Guin for misrepresenting Daoist ideas as they appear in ancient Chinese philosophical texts, particularly the Dao De Jing and the Zhuangzi. While I have sympathy for this charge, especially as it relates to Le Guin’s translation of the Dao De Jing, I (...) argue that it fails to understand the extent to which her fiction contains her own philosophical development of Daoist ideas. Looking at some of her most influential works (e.g., The Left Hand of Darkness, The Dispossessed, The Lathe of Heaven, A Wizard of Earthsea, etc.), I suggest that Le Guin’s fiction is better seen as a refocusing of Daoist concepts such as complementary contrasts and non-action (wu wei) in the contexts of modern feminism, modern anarchism, science fiction, and fantasy. Le Guin was not trying to represent ancient Daoism as a scholar. Rather, she was trying to reimagine Daoism as a creative artist and philosopher in her own right. This way of viewing Le Guin’s work does not fully exorcise the specter of the possibility of Orientalist cultural appropriation, but it does make the issue more complex in a way that can deepen further conversations. To what extent can an artist be guilty of misrepresentation if representation was not, strictly speaking, her goal? I end with a brief reflection on what is perhaps the deepest philosophical lesson of Le Guin’s work: everything is more complicated than it first appears. On that note, the present article is an attempt not just to do philosophy about Le Guin, but to do philosophy in a Le Guinian fashion, which requires rethinking the metaphor of combat that guides much academic philosophy today. (shrink)

Overpopulation, overexploitation of natural resources, overconsumerism, the predictions of environmental experts do not bode well for us.

This article discusses N. K. Jemisin's Afrofuturist utopian short story entitled “The Ones Who Stay and Fight,” the opening story of her 2018 collection, How Long 'Til Black Future Month? As is suggested by its title, Jemisin's story is a direct reply to Ursula K. Le Guin's “The Ones Who Walk Away from Omelas,” and this article discusses the ways in which Jemisin, one of the most prominent members of a new generation of SF/Fantasy writers, pays homage to, replies (...) to, and reimagines Le Guin's 1973 story in the twenty-first century. In particular, drawing on utopian scholarship, scholars of Afrofuturism, and the work of African American studies scholar-activists, it argues that Jemisin's utopia builds a world that embodies the “revolution of value” as well as the intersectional Black feminist praxis at the foundation of contemporary activist groups such as Black Lives Matter. It also argues for the ways in which Jemisin's text confronts common criticisms of utopia as well as the limits of the utopian imagination. (shrink)

: Ursula Le Guin's "The Ones Who Walk Away from Omelas" (1973), a staple of short fiction anthologies, was inspired by James's "The Moral Philosopher and the Moral Life." In Le Guin's moral tale, a devastating bargain causes some citizens of Omelas to reject their apparently utopian community. Although critics have seen this rejection as a Jamesian act of pragmatism and free will, this essay examines the story in the context of "The Moral Philosopher" and other writings by (...) James on pragmatism, its moral consequences, free will, and faith to refute that conclusion. I argue, instead, that James's work suggests responses that reflect his thinking about the limits and meaning of possibility and about sustaining belief in a transcendent force. (shrink)

Ursula K. Le Guin’s classic work of anarchist literature, _The Dispossessed_ (1974), is preoccupied with the issue of imprisonment. This is hardly surprising given anarchism’s longstanding critical engagement with the prison as state apparatus. For classical anarchists, the prison represents one of the most vile and visible examples of state repression. However, while the abolition of prisons constitutes one of the fundamental goals of anarchism, the alternatives put forth by classical anarchist thinkers risk perpetuating the underlying power relations of (...) carceral justice by encouraging social shaming and the policing of norms. The anarchist society of _The Dispossessed_ uses these techniques to discourage the accumulation of power in order to create an egalitarian society. Unfortunately, these same techniques encourage a conformity that hinders other anarchist values, such as creativity and individual self-determination. In essence, the anarchist society depicted in the novel replaces the literal prison with a different form of imprisonment—the social prison, which continues the repressive function of the state through different means. By creating an “ambiguous” anarchist utopia, Le Guin anticipates the critiques of classical anarchism formulated by poststructural and postmodern anarchist theorists. These critiques are most evident in the theme of imprisonment that threads throughout the novel. (shrink)

This essay intersects literature and epistemology in order to understand what it means to take “The left hand of darkness”, as proposed by the author Ursula K. Le Guin, as a thought experiment. As we look at Science Fiction as a literary genre and how it relates to the notion of thought experiment, we conclude that Science Fiction authors, through the imaginary displacement they perform as they create people, worlds, political organizations, and explore the relations between subjects within these (...) imaginary structures, also draw thought experiments that are able to deal with important aspects of the human experience. (shrink)

This article examines the concept of the “education of desire,” which undergirds literary utopian studies’ response to postmodernism’s challenge to the modern utopian impulse. The analysis returns to two classic utopian texts—the work of Miguel Abensour, who coined the term “education of desire,” and Ursula K. Le Guin’s novel about ecological sustainability, “The Dispossessed”—to argue that the education of desire involves a more intimate relationship between desire and domination than literary utopian studies has allowed. This article not only transforms (...) our understanding of a mainstay of utopian studies; it relates this discussion to utopian strains in environmental thought, tracing the tension between the desire for ecological sustainability and the social, political, and economic prescriptions this would entail. (shrink)